by David Deitcher
collects more than 100 portraits--from daguerreotypes to cartes des visites and early photographic postcards--depicting affectionate male friendships whose precise nature, whether platonic or sexual, will never be known. Editor David Deitcher, who teaches art and critical theory at the Cooper Union, reflects on the history of these images and their possible significance. In the late Victorian period, he notes, men commonly established intimate, passionate friendships with other men, and often "posed for photographers holding hands, entwining limbs, or resting in the shelter of each other's accommodating bodies, innocent of the suspicion that such behavior would later arouse."
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